Findings

Coquito Series

Ceramic prints generated from the printer's own real-time toolpath, where the print is a direct record of motion.

The Coquito series comes from modelling the printer's own trajectory in real time for ceramic printing. An algorithm generates periodic movements through the volume, and the resulting toolpath becomes the visible form: the print is a direct record of the motion that made it.

Ceramic

Pale unglazed piece of four overlapping circular chambers, seen from above on a paint-spattered bench.

Grid of twelve line drawings: each generated toolpath seen in plan, in elevation and in perspective.

Dark green glazed piece from above, four spiral funnels turning inward inside a lobed rim.

The same green glazed form at eye level, its four funnels rising from a ridged coiled wall.

Unglazed bell-shaped piece with a rippling skirt, its narrow mouth open at the top.

Small stacked form, dark glaze pooling over the upper tier and running down onto pale coils.

A wide pale rim cupping a glossy brown spiral, raised on a short coiled stem.

Low pale ring whose top face is a tangle of looping printed strands.

Star-shaped open vessel, its rim closing into a radiating lattice above stacked coil walls.

Looking straight down into two nested cones, one mouth swallowed by the other.

Tall conical vase in fine even coils, other pieces of the series behind it in shadow.

A pale disc laid on its side, its wall scrolling inward into a deep spiral.

Coffee Table Ceramic #1